戴翰泓
聚留/ Staying together
聚留/ Staying together
藝術家介紹
1978 生於台灣，現工作生活於台灣台北。
戴翰泓的創作形式多元，涵蓋建築、雕塑到動力機械等類型。他的作品常常在優異的技巧之外，深入探尋藝術的本質、物的本質與空間的本質。偶爾也以詩一般的藝術語彙，對已然被異化的生活狀態提出敏銳的觀察。戴翰泓的靈感源自於生活，並反向以創作詰問生活，他持續以創作反覆辨證，讓藝術交錯來去於其自身與真實生活之間的界線。
Artist/ Tai Han Hong
Tai Han Hong’s creative forms are diverse, encompassing architecture, sculpture, and kinetic machinery. Beyond exceptional technique, his works delve deeply into the essence of art, objects, and space. Occasionally, he employs poetic artistic language to keenly observe the alienated states of contemporary life. His inspiration stems from daily experiences, which he interrogates through his art. By continuously engaging in a dialectical process of creation, he allows art to traverse the boundaries between itself and real life.
作品名稱：
聚留/ Staying together 
作品尺寸及創作媒材
尺寸：長 2m x 寬 1.2m x 高 3.6 m（實際尺寸依現地調整）
媒材：漂流木
作品理念
「我們乘水而來，在緩流的地方相遇、上岸堆積，過了一夜，不知怎麼地聚合了在一起，彼此驚訝地看著逐漸變成房屋的枝(肢)體。」
颱風過後，溪流、海邊就會多出許多不同種類的漂流木，可能經過風雨與海浪不只一次的沖刷、拍打，最後才聚在一起；這讓我想到：不同族群的人們，有時也像漂流木一樣地匯聚在同一片土地上，在某一段時間停留下來，彼此融合、產生變化。人和漂流木一樣，生而成長、漂流，最後成為土壤大地的一部分，再周而復始地循環著，對土地來說，都是短暫的旅客。作品想藉由人造房屋和自然木材的形體並置、漸變，並用榫卯接合的方式強化作品的結構性與木材自體聚合的視覺張力，試著用輕鬆、詼諧的方式來提問人和自然的關係。
Artwork
Staying together
Dimension (L x W x H)：2M x 4M x 3.6M
Medium：Driftwood
“We arrive by water, meeting and landing in calm currents, accumulating through the night, and somehow gathering together, astonished as we gradually transform into the bodies of a house.”
After a typhoon, streams and shorelines are often strewn with various types of driftwood, shaped by relentless winds and waves before finally converging. This imagery evokes thoughts of different groups of people gathering together like driftwood on the land, pausing for a time, merging, and evolving. Like driftwood, people are born, grow, drift, and ultimately become part of the soil, participating in a cyclical existence; for the land, they are all transient travelers. The work seeks to juxtapose the forms of human-made houses with those of natural wood, using mortise and tenon joints to enhance structural integrity and the visual tension of the wood’s inherent cohesion, playfully questioning the relationship between humanity and nature.
